Regarding Sekhmet’s Stolen Image

Chris M. Morris, via Creative CommonsSometime on Good Friday, the Goddess Temple in Cactus Springs, Nevada was invaded by thieves. The space that had always been open to anyone wanting to come visit the Goddess, to pray and to enjoy the peace of the sanctuary could do so unhindered. It was this that made it possible for those with a more heinous mission in mind to succeed in stealing the centrepiece of that place, a four  foot tall statue of Sekhmet that weighed under 100 pounds.

The Priestess in Residence came into the Temple to find Sekhmet gone. The thieves had left behind only tire tracks, and in them was the necklace that the statue had been wearing, indicating that she had been tipped while being spirited away in the night from the place that had been her home for the last 21 years.

For the celebration of Earth Day that was scheduled to be held at the Temple, a picture of the statue was set in the place of where the image once stood.  The Earth Day Celebration went on as planned.

Right now, there is much speculation within the Pagan community as to why it happened or who might have done it.  The first thing that came to mind is that somehow, since it was done on Good Friday, it was religiously motivated, as if to remove an image sacred to those who are not a part of the Big Three monotheistic faiths.   Others have suggested someone just wanted to make Sekhmet their own.  Others have posited that because of the area of the country and because Sekhmet personifies power itself, that the culprits could be drug dealers who believe that stealing a bit of mojo is perfectly acceptable.  Whatever the motivations are, the Pagan community and all those who love Sekhmet are upset by the theft.

Initially $500 was being offered for information that led to the arrest and prosecution of the culprits. That has since been kicked up to a $2,000 reward.  I would not be surprised if that figure increased yet again.

The unfortunate byproduct of this tragic event are those Pagans who wring their hands and drape themselves over the furniture, wailing that this is about religious persecution – or that if this had happened in a Christian church or Jewish synagogue, the press coverage would somehow be more than it has been.  I understand the deeply personal feelings that people have toward Sekhmet and that someone would do something so terrible is frustrating and brings up anger, sadness and the overall feeling of somehow being violated. I also know what it feels like when the issues and events we hold near and dear are not adequately covered as we feel they ought to be.  I think anyone who is on the receiving end of being even in a small way touched by any sort of crime – be it a hate crime or something else must feel that irritation that no one could possibly understand.  Pagans in particular, seem to love to latch on to crises of this type because it makes them feel as some “persecuted other”.  I never saw much use in wallowing in that sort of self-pity, personally.

To be honest, I never thought I would see the day Sekhmet’s children would resort to playing the victim card and yet I have in these past few days. Some have resorted to comparing and contrasting our religious site being desecrated and comparing our pain to the pain of others when thier faith was lashed out against. Somehow they conveniently have forgotten in another crime that is unrelated but took place just before Easter where  three innocent lives were lost last week during Passover.  Ironically, all three of the victims who were slain by a white supremicist were Christians.   It is my view and in the interests of ma’at that I believe that no one should be singled out, begrudged or feel persecuted for their beliefs, or have their sacred spaces violated. The ones who whine about how we of “Other” faiths that are not Jewish, Christian or Muslim are so very persecuted and discriminated against conveniently forget the burned churches, the desecrated mosques, the ravaged Sikh temples, that have all  have been the scenes of senseless violence and desecration, all  based on hate and intolerance. Our prayers go out to their families and our voices whisper hopes toward peace and understanding.  It is what we should do for each other as human beings.

While the stealing of the statue is a tragic, heinous thing, too many within Paganism’s ranks  love to use that common excuse that gets handed out is to blame the media – especially when screaming “religious persecution”

This is not an act of persecution. We need to stop with the assumptions that somehow it was. There were no slurs painted over the space, the building was left intact- they took the statue, something that cannot be replaced. It’s a theft. Cameras may be necessary as a precaution. That’s the way of things now. It has to be, unfortunately. Slanting the story is not helpful. .We now live in a world where that kind of trust is not something that can be easily given. We used to sleep with our doors unlocked and our kids could play in their own front yards. Both things are becoming increasingly rare now – but of course,  that has nothing to do with religion. It has to do with a society that is out of contol

We are not the dominant religion, that is true. We are not Jewish, Christian, or Muslim, but we can practice our religion for the most part unmolested. Do people lose their lives here over being pagan? Hardly. That is what the comparison with the Passover shootings was about – and it is relevant. Can people in India, Africa, and even Egypt itself say the same? Absolutely not. I know of native Egyptians who do worship Sekhmet – but they cannot do so openly or it is a death sentence.

There is no point to the practice of comparing and contrasting of pain and transgressions and tresspasses against “Us” versus the ones suffered by “Them” – whichever side we happen to be on.  Any religion being oppressed, any desecration of a holy site is an outrage and intolerable. As a Priestess of Sekhmet, I ask is our suffering any greater than the churches that get burned down, the mosques that are desecrated, the medicine wheels that are destroyed?  No. Absolutely not.

Whomever did this – be they someone who lusted for Sekhmet’s image itself, or someone in the drug cartels  or someone just doing something ignorant and hateful, I can say without reservation that they will have literal hell to pay.  In spite of Sekhmet’s loving, healing aspects – and She has many – there are very dark parts of this Goddess that are invoked when Ma’at has been transgressed.   To those who know Sekhmet and those “darker” aspects of Her, know without any shadow of a doubt that the move was a very stupid one indeed.

That statue will be returned – or not. But we are undamaged, and Sekhmet’s worship is undeterred. One thing is for certain, however, those who stole Her image will get what they have coming to them. I know for a fact, Sekhmet’s Arrows Do. Not. Miss.

In my years of experience, Sekhmet, as far as Deities go,  is most definitely NOT  a victim; and neither, I dare I say it, are Her children. We will not curl up into a ball and wail and bemoan the situation. We will not stop doing what we have been doing since the resurgence of Sekhmet’s worship in the world.  We know who our Mother is,  and She knows us.  We who know that we belong to Her carry Sekhmet within us.  Our minds hone in on Her with a singular focus.  We do this because She IS the very Personification of Power or Sekhem itself. To succumb to this blow is to give that Power away.

Rest assured, we have absolutely no intention of doing that.

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E is for Eye

eyofra

Painting on papyrus of a pectoral of the Solar Eye from the treasures of Tutankhamun

The eye has served as a powerful image for humanity for millennia. The Eye, in Kemetic belief, centres around the Udjat Eye – which is that of protection. Also the Eye of Heru (Horus is his Greek name) and the Eye of Ra – which are separate entities from Ra’s more than 70 forms – and can function independently of him.

Even in the earliest periods of Ancient Egyptian history and culture , the sun and the moon were often regarded as very eyes of the Great Falcon, Horus. Later the two were differentiated in that the Eye of Horus was the Left Eye or the Moon, while the Right Eye was Ra or the sun. One particular myth which comes to us from the tomb of Tutankhamun, talks of how Horus’ eye was blinded but then restored by Hathor – who is Herself an Eye of Ra. This ties into the cycles of the moon and of the waxing and waning action of that heavenly body that is ever present above us.

The more well known “Eyes of Ra” are HetHert (Hathor), Sekhmet, Bast, Wadjet, Mut, Meretseger and even Aset (Isis). The Eyes of Ra were considered to be the protectors and enforcers of divine law. Probably the best known myth surrounding this is the “Destruction of Mankind” where Hathor, the goddess of love, beauty and all that is good is told that Mankind has rebelled and attempted not only to overthrow the Netjeru (gods) but destroy them utterly, is sent forth by Ra in order to punish them : Thus Sekhmet was born.

These goddesses, known as Eyes also resided in the crown, or uraeus that was upon the brow of royalty. These goddesses held the power of the King and their power is manifested through him. This is where the function of the Queens or Great Royal Wives were the stand-ins for the Eye Goddesses, such as Hathor and Isis and insured the protection of Kingly Power and function within the Two Lands.

The Eye of Horus, or Eye of Ra or Udjat Eye were all a part of this greater protection. There were almost always eyes included within funerary equipment in the form of amulets, and painted motifs on coffins, walls. The Eye was a major theme to protect not just the pharaoh, but common people as well. It worked to keep away evil, to insure the path toward the Afterlife of the Duat was kept clear. The sailors of Ancient Egypt would often paint the eye on the prow of their ships and even skiffs to insure safe travel. Even today, modern Kemetics will have Eyes either painted on their vehicles, or in similar fashion to the Fish motif of the Christians, they will have an eye on their car. I certainly have them on all of our vehicles.

The Eye as depicted in Ancient Egyptian art is based off of the markings of falcons, such as the Peregrine Falcon ( Falco peregrinus ), a totemic representative of the God Horus. As depicted on many Eye artifacts, whether it be an actual amulet, piece of jewelery or a painted motif, shows the “teardrop” marking near the bottom of the Eye, not dissimilar from the markings on the Peregrine falcon. A similar line is also found just below the eye of the African Cheetah, who at times can be taken to represent Eye Goddesses that take the form of big cats.

Hieroglyphically, there are several symbols for the Eye. Gardiner Sign list, symbols D4 through D17 either depict the Eye or parts of the Eye. The attached meaning in Ancient Egyptian to these often talk of “doing” or “making” or one who “makes or does”. This idea ties rather emphatically to the eye and what it symbolizes as being an active rather than a passive role. “Here comes protection”, or “The Eye goes forth”, which could be in a protective or punishing type of function. The Eye of Ra is there to protect and to defend authority and keep the balance and either defend or restore ma’at. http://upload.wikimedia.org/wikipedia/commons/thumb/f/f5/Oudjat.SVG/200px-Oudjat.SVG.png

The Eye is also used symbolically within Ancient Egyptian mathematics as a sort of symbolic break down for the concepts of measurement in the form of fractions. The Rhind Mathematical Papyrus and the Lahun or Kahun Papyrus, both have tables of unit fractions (1 as the numinator), and scribes would often have these tables for use within their work. The various parts of the Eye would be broken down in this fashion:

  1. Right side of the eye = 1/2
  2. Pupil = 1/4
  3. Eyebrow = 1/8
  4. Left side of the eye = 1/16
  5. Curved tail = 1/32
  6. Teardrop or downward marking= 1/64

Unfortunately, however, studying this particular diagram does nothing for those of us who are mathematically impaired, no matter how much we love all topics that pertain to Ancient Egypt! 1000px-Ancient_Egypt_Wings.svg Another symbol of the Eye of Ra in specifics is the sun disk that appears on the heads of solar deities in the Egyptian pantheon, such as Sekhmet, Horus, and even Ra Himself. The sun disk and the Uraeus at the centre were protective and punishing at the same time. The sun or Ra moving across the sky could be found in the symbolism of the Solar Barque, which carried Ra across the sky each day. In the Barque of Ra or the Solar Barque, other deities rode with Ra. Certainly the body of the heavens was equated with the Celestial Cow who travels with Ra.

The symbolism of the Eye is central to Ancient Egyptian belief and the complexity of everything this one symbol can encompass can be both complex and at times confusing. While the Eye was a protector, it was also a punisher of wrongdoers. While it was protective of that order or Ma’at, it was sometimes difficult to control and would tend to wander. The cycle of the Wandering Eye returning to the Two Lands to signify that balance would once again be restored was met with great joy and merrymaking. When the Eye is restored and reestablished, we, too, are likewise restored and reestablished as well.

Resources:
Roberts, Alison. Hathor Rising: The Power of the Goddess in Ancient Egypt. Rochester, VT: Inner Traditions International, 1997

Roberts, Alison. Golden Shrine, Goddess Queen: Egypt’s Anointing Mysteries. Rottingdean, East Sussex: NorthGate, 2008.

Roberts, Alison. My Heart My Mother: Death and Rebirth in Ancient Egypt. Rottingdean, East Sussex: NorthGate, 2000.

Shaw, Ian, and Paul T. Nicholson. The Dictionary of Ancient Egypt. New York: Harry N. Abrams, 1995. Print.

Wikipedia, “The Eye of Horus”. Web.

Wilkinson, Richard H. Reading Egyptian Art: A Hieroglyphic Guide to Ancient Egyptian Painting and Sculpture., p.176 – 177; London: Thames and Hudson, 1992 Pagan Blog Project 2014

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D is for Dancing & Drumming

dancers For those of us who have been raised with an intimate knowledge of our Indigenous culture, we know that dancing is an important part o our and many cultures throughout the world. For myself, hearing the sound of drums and the sound of bells and jingle dresses and the singing along the powwow trail begins at the first sign of spring and continues on well into the fall. We dance, because we can. We dance and sing and beat drums and it serves as an affirmation of life; our own heartbeat and the heartbeat of everything and everyone around us. People gather to dance and to sing and to celebrate the rhythm that permeates every aspect of our existence.

Dancing and music figure prominently in our religious and ritual practices as well. Dance is a meditation, it can send us into a trance and be a way for us to express emotion, ecstasy and connect us to the Divine. The truth of the matter is that dance has been a part of human history or prehistory around the world since probably before Homo Sapiens became fully bipedal.

The first great culture to really infuse its entire society with the magic of music and dance was that of Ancient Egypt. The Ancient Egyptians enjoyed life to its fullest and no celebration in Ancient Egypt would have been complete without music and dancing. At parties, singers and dancers performed to the music of harps, lutes, drums, flutes, cymbals, clappers and tambourines. During festivals, crowds chanted and clapped, carried along by the vibrant rhythm of Egyptian orchestras, while dancers performed amazing feats, leaping twirling and bending their bodies in time with the music. It was so important a feature of everyday life that musical instruments – frame drums, harps, clappers, sistra, and other instruments found their way into the tomb of those who passed to the Beautiful West and their entertainment in the afterlife.

Most of Egyptian secular and religious life was marked by the performance of music and dance. This important aspect of daily life of the Egyptians is depicted as early as the Pre-Dynastic periods. Ceremonial palettes and stone vessels indicate the importance that music had even in the earliest of periods. The importance of music in daily life in Ancient Egypt is underscored by the large number of musical instruments found in museum collections around the world. Of the several terms used in ancient Egyptian to describe dance is ib3.

In many banqueting scenes found within the tombs of the Ancient Egyptians, the banquets appear to be more secular. Shown in these scenes are an idealized rather than any actual event. The basic components of these scenes changed very little throughout Egypt’s history, until the New Kingdom. Around the 18th Dynasty, there is a marked change of character, in the song, dance and the overall “feel” of these scenes. At this time we see a marked sense of erotic significance. Lotus flowers, mandrakes, wigs and unguent cones, as well as men and women clothed in semi-transparent garments and the gestures of the banquet participants. Music, love and sensuality go hand in hand in most civilizations, ancient as well as modern, and in different spheres. Overall music is a major component of life, an important piece of both secular and religious life.

NileGoddessDance was far more than just an enjoyable pastime in Ancient Egypt.During the Pre-Dynastic period were found depictions of female figures, perhaps of Goddesses or Priestesses, dancing with their arms raised above their heads. The act of dancing was undoubtedly an important component of ritual and celebration in Ancient Egypt. The Neolithic figurine of a goddess or priestess that currently resides in the Brooklyn Museum is commonly referred to as “the Nile Goddess” or “Nile Dancer”. The figure has arms that are raised above her faceless head like some sort of pre-historic ballerina. Her body is slender with ample breasts and broad hips. Some have speculated that her graceful limbs lifted above her head are to emulate the horns of the Goddess Hathor, who was the personification of the joys of music dancing, love and life itself. This particular piece of very early ancient Egyptian art has been an inspiration for many modern sculptures and art lovers just in its beautiful simplicity.

girlmusiciansPeople from every social class were exposed to music and dancing. Manual laborers worked in rhythmic motion to the sounds of songs and percussion, and street dancers entertained passers by. In normal, daily life musicians and dancers were an important and integral part of banquets and celebrations. Dance troupes were available for hire to perform at dinner parties, banquets, lodging houses, and even religious temples. Some women the harems of the wealthy were trained in music and dance. Unlike today, however, no well-born Egyptian would consider dancing in public. The Nobility would employ servants or slaves to entertain at their banquets to a offer pleasant diversion to themselves and their guests.

Elizabeth ‘Artemis’ Mourat, professional dancer and dance-scholar categorized the dances of Ancient Egypt into six different types: religious dances, non-religious festival dances, banquet dances, harem dances, combat dances, and street dances.

muudancers1There were certain ritual dances that were crucial to the successful outcome of religious and funerary rites. This is particularly true of the Muu-Dancers. These dancers wore kilts and reed crowns and performed alongside funeral processions. Funeral rites often employed or were based off of the Songs of Aset and NebetHet (Isis and Nephthys in Greek) and the retelling of how Aset searched for the body of Wasir (Osiris in Greek) and reassembled his dismembered form for burial and restored to eternal life through Her prowess and skill in magic. This period of singing, dancing, drumming and lamentation was said to last over a period of five days. It was through these rites that it is believed Roman mystery cults arose.

With the emergence of the cult of Wasir dance was a crucial element in the festivals held for both He and Aset, His sister-wife. These festivals occurred throughout the year. Dance also figured prominently in the festivals dedicated to Apis. Another deity that has been linked to dancing, is the Dwarf-God, Bes. He has been depicted in both reliefs and in statuary playing a tambourine and dancing, denoting the idea of using dance in order to drive away evil spirits. Images and amulets of Bes were often found in and around the birthing chamber for women who were giving birth. In these images, Bes is quite often shown playing a tambourine or a drum. Wikimedia Commons

acrobatsmThe act of dancing was inseparable from music, and so the depictions of dance in Pharaonic tombs and temples invariably show the dancers either being accompanied by groups of musicians or themselves playing castanets or clappers to keep the rhythm. Little distinction seems to have been made between dancing and what would be considered today as acrobatics. Many dancers depicted in the temple and tomb paintings and reliefs show dancers in athletic poses such as cartwheels, handstands and backbends.

Detailed study of the depiction of dancers has revealed that the artists were often depicting a series of different steps in particular dances, some of which have been reconstructed in the modern era. Movements of Egyptian dances were named after the motion they imitated. For instance, there were “the leading along of an animal,” “the taking of gold,” and “the successful capture of the boat.”

Men and women as a general rule and in the more conservative society that was Ancient Egypt were never shown dancing together. The most common scenes depict groups of female dancers often performing in pairs and more rarely, men dancing in groups. Dance was done in private chambers as well as public festivals and gatherings, in the streets as well as Temple rituals. The importance of dance has not lessened over the years, it has maintained and is carried on even today. Professional dancers, musicians and other performers, though they are often admired for the work that they do, are not often given a high status within society. Because they wander the country side often with men to whom they are not related, especially if they are women, this sort of behaviour is still rather looked down upon – especially within village societies.

There was a notion within early Egyptology that noblewomen or women of a certain class or caste would never engage in dancing except in private. The only exception to this idea were the dancers, singers and musicians that were dedicated to the service of a deity, for example. The dancers that are depicted within the ancient tombs are often described or depicted as being a part of the tomb owner’s immediate family. As a direct relation to the deceased then any taboos were lessened. Today, women may dance within the privacy of their own homes, or that of a family member, but never in public. It is a good idea that depictions in tombs were never intended to be viewed again by the living once they were sealed, and as such served as a private residence for the deceased.

Modern day bellydancing has a little resemblance to the graceful and acrobatic gestures that were a part of dance in antiquity. Because of so many external influences – the Greeks, Romans, and influx of other cultures over the centuries, not to mention that dance in Egypt as also influenced by the influx of Islam into the region. In spite of all of this, however, we can still see within Egyptian culture the idea of dancing just for the sheer love of it.

AUTHOR’S NOTE: Most of this piece is a reworking of a section of my website, ‘The Ancient Egyptian Virtual Temple’, 1995 -2014, Copyright Ma’at Publishing. (Mirrored at fannyfae.com)

Other Resources

Manniche, Lise, Music and Musicians in Ancient Egypt British Museum Press, 1991. Print.
Threee
Redmond, Layne, When the Drummers Were Women: A Spiritual History of Rhythm Three Rivers Press, 1997. Print.

Shaw, Ian, and Paul T. Nicholson. The Dictionary of Ancient Egypt. New York: Harry N. Abrams, 1995. Print.

Spencer, Patricia, “Dance in Ancient Egypt”, Near Eastern Archeaeology, 2003, p 111 – 121

Pagan Blog Project 2014

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The Re-Establishment of Nekhen Iunen Sekhmet

SekhmetStatue_sm

‘Sekhmet in Basalt’ by NiankhSekhmet

A few years ago, when I was a Kemetic Orthodoxy Priest, I established a nekhen or shrine to Sekhmet.   The name of that shrine was Nekhen Iunen Sekhmet – or to translate, The Shrine of Sekhmet’s Sanctuary.   Here in the Wapsipinicon River Valley, in a land that I refer to as the Enchanted Forest, this place has served as a sanctuary for humans, animals, plants and all manner of wildlife.   The wild animals seem to know that once they cross into the borders of our 15 acres, which is not much in the scheme of things, they are safe.

After a series of life events that sent my life into a tailspin, the death of my mother, the outsourcing of my job overseas and returning to school and starting a business, things were neglected, I left Sekhmet’s formal service in pursuit of a life that is just now starting to show itself as becoming a reality.

Nekhen Inunen Sekhmet is more than just a place to perform the daily proscribed rites or heka on behalf of others.  It has become a way of life, a consciousness of its own.   One thing is for certain, I do not and absolutely will not do this in affiliation with any  Temple – at all.  This is and shall remain absolutely my own.   I am doing this out of love and devotion for Sekhmet;  She Who owns my head, She for whom Life Belongs – particularly my life.  Every medicine I make, ever rug that I weave, every thing that I do in some way ties back to that service.  I am not interested in having ‘students’,  so it would be futile to even ask.  Neither am I the least bit inclined to be out front and telling other people how to be  what group to join or sit in judgement  of another’s practices.  I will let the grand poohbahs and the gurus have at that. I hope they have fun with that. More power to them.

I am frankly much happier being left to my own devices rather than having someone, be it a group or an individual, looking over my shoulder to see whether or not I am doing it right.  I am. I have the liturgical texts, I have the materials and the resources that allow me to do it right as in antiquity and I have made the commitment to do so.  I do it.  I no longer have a single thing to prove to anyone about anything.  Further,  I am at an age when I no longer give a fuck what anyone else thinks of me – nor do I really give too much of one when confronted with the practices of others.  They don’t matter.  I am singularly focused on the things that do.  Everything else tends to be superfluous and unnecessary fluff.

The measurements have been made.  The sand and the amulets have been crafted and have been laid for the foundation.  All shall  be done as it should be – as the Lioness lies ever-watching and overseeing the Work.

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Migration

totin1After a great deal of thought, I am going to be switching some things over with this blog.   I will be keeping the name, fannyfae.com, but this  domain, NiankhSekhmet.com (Life Belongs to Sekhmet;. it is my Kemetic name and it would probably be much better if all of the Kemetic related posts went to live there and the fiction, herbal, writing businesss and other types of posts  will remain at fannyfae,com. Of course, I am still working on a new banner for the site, even if the wallpaper is a bit familiar.

In short, the work for both blogs will be more specifically focused.   So pardon my dust and I do some rearranging.  I promise to keep everyone posted. It gives me the opportunity toward more specific types of branding in posts. I know that one will be for  the ebooks and business while the other will be more personal.

So look for this space to change a bit over the next few weeks. No doubt I will be doing the same over on Tumblr, Twitter, Facebook, Google+ & etc.   If anyone needs to reach me, they may do so here or can write me at fannyfae at gmail dot com or niankhsekhmet at gmail dot com.

(Crossposted from fannyfae.com)

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Do We Need a Nisut (KRT)

cleoredcrown1aMy disclaimer is that I am Kemetic Orthodox. As such we do have a Nisut as part of our Faith. That being said, I will the answer this question as both someone who is a member of the Kemetic Orthodox Faith, and as a person whose life has taken a divergent course in a spiritual sense from what it may have been a mere year or two ago. I will answer the questions as honestly and with as much openness and candor as I can without betraying any ‘oathbound’ material that I received. I owe that to my community and my gods, and it is a sort of living up to what that calling has been for me.

I have observed that there are those in the modern Kemetic belief sphere that spend a great deal of time arguing about whether or not it is necessary or even useful for Kemetic organizations or Temples to have a Nisut. I have personally observed that those who speak out the most vociferously against the idea of a Nisut Bity(t) generally are people who are outside of any group which has one. The concept of having a Nisut or any sort of Temple hierarchy at all really was very much the norm in antiquity. But for those of us who are trying to reconstruct or revive the ancient Kemetic religion, that idea is not really the same. Having a king or a Nisut in the modern era is not the same cornerstones of Kemetic belief as it was in the past. For those of us who are Kemetic Orthodox, there is the underlying idea that kingship is more a continuation and how that is really a part of a sacred trust. We are not talking about a Pharaonic Theocracy in an absolute kingship with godhead that makes that person “Divine”. But rather someone who has revived and put in so much of themselves to lead people toward doing it right.

The King in Ancient Egypt is, as I mentioned, a part of that sacred trust. There are rituallyfunctional roles for a Nisut or King, whether that be in antiquity or today. I personally have observed that no one has given more to recreating the ancient Egyptian religious mindset than Rev. Tamara Siuda. Everything that she has done and continues to do is about bringing this religious bent back to the world. That, ultimately, is what the Nisut Bity(t) is for Kemetic Orthodoxy. The priests and priesthood help her to do that within a religious structure that before – did not exist in the modern era.

Those who are Kemetic can certainly have a modern, personal practice with their own altar and icons, incense, ritual tools, robes and all the arm-wavey goodness that they think that they need. The major difference between that and what Kemetic Orthodoxy and other similar groups with a King or a Nisut has is that there are both personal rites that one does and there are State Rites – which do centre around the Nisut Bity(t) and/ or the Kingship. End of story. 98% of the Kemetic population today will never do State Rites. They will never need to. These same individuals will most likely never be present for Coronation Rites. Again, in that instance, they technically don’t “need” anything in that context. Those rites are handled by the ritual technicians who DO know what they are and they do them daily. For those who are that flavour of Kemetic, it is a requirement. It is not an option. No one else ever need concern themselves about State Rites. Only those who are priests – w’ab or Hem(t) Netjer (formerly Imakhu and Kai Imakhu) even within Kemetic Orthodoxy’s rankes ever had to worry about performing State Rites.

If someone feels that they do not need a Nisut, then they can be completely content to go on about their business and not even ever have to think about it. It doesn’t make their practice ‘less” in terms of satisfaction or legitimacy, no does doing them make it any better, It just makes the rites that are performed what it is for them.

On the other hand, those who do have a King or a Nisut Bity(t) and who have made it through they have not handed their common sense, their brains or thousands of dollars at the door in cult-like fashion, either. I can speak with an insider’s experience that running a religious organization is hard, thankless and decidedly expensive work. Running an organisation or being a part of the ‘hierarchy’ costs a great deal in terms of time, travel expense, but mostly time.
Anyone who imagines it might be nice, or aspires to be a Nisut, in my opinion, is undoubtedly out of their mind. (I also tend to think that about priesthood, but will save that for another blog entry.)

This is a topic that I have had to think long and hard about. In spite of my having “retired” as a Kemetic Orthodox Priestess or Hm(t) Netjer of Sekhmet-Mut / HetHert, Meryt Amun I am still a member of the House of Netjer. As far as I am concerned, Sekhmet Herself said that I should be ordained as Her Priestess and I am still – and will always be until I die and into the next life. My person, my ka, my ba and every part of me has the indelible pawprint of Sekhmet on it and there is no removing it. Period. I have been a Kai-Imakhu (Exalted Reverend) and a Mut-Netjer (Godmother) and served as a vessel for Sekhmet, HetHert and Amun in the capacity of Mut-Netjer. So even though I no longer do these things – the State Rites, the chats, the being there for the service of the community in any official capacity within the House of Netjer, I do have knowledge of how things are – and how they are not. I have been a participant in the yearly Coronation Rites, and I know what is said, and I know what is involved. I also know that there are Mysteries that are a part of those things. Fr someone who has never actually done them – even if they have merely read them – they absolutely would not know. Kemetic practice is undoubtedly centralized on ritual practice – both personal and state rites. State rites have a purpose and a specific order and function. Not everyone needs to be a part of those functions.

State Rites are not a secret. If a Kemetic practitioner is hellbent on doing them, then Richard Reidy has published an approximation to them in his book, Eternal Egypt. Feel free to click the link, and buy the book. There you are. It is a very good book even though I don’t always agree with what Mr. Reidy has to say on every subject. However, when you read them you will very possibly notice that there is an underlying theme in that the core of these rites. You may notice that even if they are in service of a Deity, again, they are meant to be done by priests standing in for the King.

Do we need a King? Do we need a Nisut?

Speaking only for myself, and for my own practice, I do need my Nisut. I need her in the fact that she created or re-assembled or helped to reassemble what had been gone from existence for centuries. It isn’t that no one else tried. Certainly they did. They did not, however, keep their egos out of it – whereas, I believe and have observed that Rev. Tamara Siuda has done that. I have never seen anyone give more than she does. I have never seen anyone tailor their lives to the degree and centered their whole existence in the service of both the Gods and the community in the way that she has done and done it as good naturedly and as selflessly as she has done. IMO, we need that in the world. I can say that I personally need her not just as a Nisut Bity(t) but in that she is a member of my family. I need her in that she is my friend, and a teacher. She is the godmother of my son, Userbenu – and she was the one that if anything had happened to me before my son reached majority, she would be his guardian. Anyone who knows me at all and how important my son is to me, knows that I would never have made such a provision lightly. So, even if I never do State rites personally ever again, or if I never attend a coronation rite ever again, I like knowing that she is there to help continue building what did not exist 20 years ago and for a much longer period before. I believe that often sight is lost about how much has been re-established because someone cared enough to do it.

So…can one be Kemetic without a Nisut? Absolutely yes. But for those of us who have a Nisut….we are rather glad that she decided to step up to do it. Someone had to. And I am very grateful that it was her.

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ENOUGH!

Reposting this here since WordPress and Tumblr are not on speaking terms today.

http://fannyfae.com/2014/01/29/enough/

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Josephine McCarthy – Walking the Path

Josephine McCarthy (Littlejohn) is someone I consider a friend and a teacher of the highest order. She has a number of books and has just launched a blog that I believe would be of interest to magic(k)al folks, witches and even Kemetics. Her latest post really speaks out about those who have been bilked by various gurus and “systems” that are widely available.

http://magicalmeandering.wordpress.com

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ENOUGH!

Africa191There is no shortage of people in the world, and especially online who want to worship or honour the Kemetic (Egyptian) gods or Netjeru. You would think after 20+ years of Kemetics being online they would have tried to build alliances and make bridges without the petty infighting and holier than thou bullshit that gets handed around like last year’s Christmas fruitcake.

Let me state at the outset before I say anything else, that I have no grand vision of being “in charge of” anything. I am not here to take anyone to task or to fight with anyone else. This is not some half-arsed attempt on my part in order to get students or for me to become a guru of some sort. I am flat-out not interested in such things at all. Been there, done that, and I donated the T-shirt because it wasn’t “me” anymore. I’m just like everyone else in that I am committed to the culture, the history and the religous ideals of Ancient Kemet. I am not an accredited Egyptologist. I fully acknowledge that I am here by the grace of Sekhmet and the generosity of many, many talented sebau (teachers) and to them I am eternally grateful and I refuse to dish or diss on any one of them.

Lately I have noticed increasing factionalisastion going on within the Kemetic landscape. In the years that I have been blissfully far removed from the jealous infighting, the petty backbiting, hubris and ‘witch wars’ that seem to be part and parcel of the so-called Pagan “community”, I have watched those traits migrate here. After 20+ years, I am exhausted.

So, that being said, I am going to do everything in my power to establish a list of various Temples, Shrines, blogs, organizations, information resources, etc. because it is absolutely needed. If anyone thinks I am doing this for any specific organization, guess again. I’m not. Sekhmet has given me marching orders 1) finish the book and 2) establish the network because honestly, the Pagan Community and the Kemetic Community in specifics deserve at least a modicum of respect, in spite of the differences between us and it’s time that this happened. It is long past time, to be honest. This should have been done some 20 years ago, but for whatever petty, ego-driven, any other set of reasons, it did not transpire. It’s going to happen NOW.

We are bigger than this. We should not (still) have to be listening to the petty, catty, bitchy, in-fighting that goes on for no good reason. There are no good reasons why we cannot do this. If I have to kick ass, or become some sort of pariah, ostracized or called out for being a Kumayah, Pollyanna Kemetic, so fucking be it! We are long past done playing at this. It’s time to do it.

Still have doubts? Let me spell it out:

It’s about, GOD, or the Gods (plural) and our relationship to them, people!! Get OVER it! We all have something to contribute and we NEED to be doing that in the interests of Ma’at. I am not interested in hearing the arguments against such a thing moving forward. I will not give credence to he said / she said, petty grudges from years ago that happened on Usenet, Ancient Worlds, or Tumblr. There are no more excuses, so don’t bother bringing them up to me. It’s time for all of us to ask ourselves, each and every one: “WHY the fuck are you here?!” We collectively need to take what I call the Janet Jackson Approach and ask ourselves, ‘What have YOU actually DONE for the God(s) lately?! What have you done for yourself lately?!” After answering those questions honestly, the next question to ask must be, “What’s stopping you? Who do you think is preventing you from doing it?” If we fall into the temptation to start to point fingers at anyone else than the man or woman that is in the mirror, then I encourage each of us to remember that with that pointing of fingers, there are still three other fingers and a thumb pointing right back at us.

I will write this up in more detail in a bit, however, if anyone imagines that I am doing this to step on toes or encroach on their “territory”, they need to take a step back. This is solely about trying to take a cursory census of who thinks the idea of a collective of those who are bound by the things that we believe and hold dear is more important than the ongoing factionalization that we have been suffering from for over 20 years.

Playtime is over. It’s time to STFU and get to work. If you want it, well then each of us needs to determine just how much and what we are willing to do in order to achieve it.

Excuses are boring. Let’s get to it.

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